{"product_id":"femme-soulevant-pommes-terre-vincent-van","title":"Kvinne løfter poteter, F147 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New Roman',serif;font-weight:400}\n.vg-hero{position:relative;padding:72px 0 46px;background:linear-gradient(112deg,#faf5ed,#ded0bc)}.vg-hero:before{content:attr(data-artist-watermark);position:absolute;right:-20px;top:4px;color:rgba(89,58,41,.055);font:clamp(68px,13vw,175px)\/1 Georgia,serif;letter-spacing:.03em}.vg-hero-grid{position:relative;display:grid;grid-template-columns:.88fr 1.12fr;gap:56px;align-items:center}.vg-hero h2{margin:0;font:400 clamp(50px,7.2vw,92px)\/.88 Georgia,'Times New Roman',serif;letter-spacing:-.06em;overflow-wrap:anywhere}.vg-hero h2 em{display:block;margin-top:14px;color:var(--vg-ochre);font-size:.35em;line-height:1.05;letter-spacing:-.025em}.vg-lead{max-width:590px;margin:27px 0 0;color:#554e47;font-size:18px}.vg-pills{display:flex;flex-wrap:wrap;gap:9px;margin-top:24px}.vg-pill{padding:8px 13px;border:1px solid rgba(89,58,41,.25);border-radius:999px;background:rgba(255,255,255,.38);color:var(--vg-brown);font-size:12px;font-weight:700}.vg-art{position:relative;margin:0;padding:18px 0 25px 18px}.vg-art:before{content:'';position:absolute;inset:42px 25px 0 0;border:1px solid rgba(89,58,41,.27);transform:translate(20px,18px)}.vg-art img{position:relative;z-index:1;max-height:670px;object-fit:contain;background:#171411;box-shadow:0 24px 60px rgba(45,31,22,.2)}.vg-caption{position:absolute;z-index:2;right:-8px;bottom:0;max-width:310px;padding:14px 17px;color:#f7f0e8;background:#181512;font-size:12px}.vg-caption strong{display:block;font:400 16px Georgia,serif}.vg-stats{position:relative;display:grid;grid-template-columns:repeat(4,1fr);margin-top:48px;background:#fffaf3;border:1px solid var(--vg-line)}.vg-stat{padding:20px 22px}.vg-stat+.vg-stat{border-left:1px solid var(--vg-line)}.vg-stat strong{display:block;font:400 21px Georgia,serif}.vg-stat span{color:var(--vg-muted);font-size:11px;letter-spacing:.09em;text-transform:uppercase}\n.vg-benefits{display:grid;grid-template-columns:repeat(4,1fr);color:white;background:#171411}.vg-benefit{padding:26px 22px;border-right:1px solid rgba(255,255,255,.13)}.vg-benefit:last-child{border-right:0}.vg-benefit b{display:block;margin-bottom:4px;font:400 18px Georgia,serif}.vg-benefit span{color:#bdb4aa;font-size:13px}\n.vg-overview{display:grid;grid-template-columns:.78fr 1.22fr;gap:78px;align-items:start}.vg-copy p{margin:0 0 18px;color:#4e4842;font-size:17px}.vg-copy p:first-child{font:21px\/1.62 Georgia,serif}.vg-copy p:first-child:first-letter{float:left;margin:7px 12px 0 0;color:var(--vg-ochre);font-size:76px;line-height:.72}.vg-quote{margin:30px 0 0;padding:25px 28px;border-left:3px solid var(--vg-ochre);background:rgba(255,255,255,.58);font:21px\/1.45 Georgia,serif}\n.vg-dark{color:#f7f0e7;background:#1b1917}.vg-dark .vg-title{color:#f7f0e7}.vg-dark .vg-eyebrow{color:#e0a77e}.vg-dark .vg-intro{color:#bdb4ab}.vg-points{display:grid;grid-template-columns:repeat(3,1fr);gap:14px;margin-top:42px}.vg-point{min-height:300px;padding:27px;background:rgba(255,255,255,.06);border:1px solid rgba(255,255,255,.11)}.vg-point b{display:block;color:#e0a77e;font:30px Georgia,serif}.vg-point h3{margin:42px 0 10px;color:white;font-size:25px;line-height:1.05}.vg-point p{margin:0;color:#bdb4ab;font-size:14px}\n.vg-facts{display:grid;grid-template-columns:repeat(3,1fr);gap:16px;margin-top:42px}.vg-fact{position:relative;min-height:300px;padding:27px;background:var(--vg-paper2)}.vg-fact:first-child{color:white;background:var(--vg-brown)}.vg-fact span{display:inline-block;padding:5px 9px;border:1px solid currentColor;border-radius:999px;font-size:10px;font-weight:800;letter-spacing:.1em;text-transform:uppercase;opacity:.75}.vg-fact h3{margin:52px 0 10px;font-size:29px;line-height:1}.vg-fact p{margin:0;color:var(--vg-muted);font-size:14px}.vg-fact:first-child p{color:#e1d2c6}.vg-source{display:inline-flex;margin-top:28px;padding:12px 18px;border:1px solid var(--vg-ink);border-radius:999px;font-size:12px;font-weight:800;text-decoration:none}\n.vg-product{background:#d7c7b0}.vg-product-grid{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-focus{margin:25px 0 0;padding:0;list-style:none}.vg-focus li{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px}.vg-focus li:before{content:'✓';display:inline-block;margin-right:10px;color:var(--vg-ochre);font-weight:800}.vg-panel{padding:38px;background:rgba(255,253,248,.68)}.vg-panel h3{margin:0 0 21px;font-size:30px}.vg-table{width:100%;border-collapse:collapse}.vg-table th,.vg-table td{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px;text-align:left;vertical-align:top}.vg-table th{width:40%;padding-right:16px;color:#5b524a}.vg-steps{display:grid;margin-top:8px}.vg-step{display:grid;grid-template-columns:38px 1fr;gap:13px;padding:15px 0;border-top:1px solid var(--vg-line)}.vg-step i{display:grid;width:31px;height:31px;place-items:center;color:white;background:var(--vg-ochre);border-radius:50%;font:normal 16px Georgia,serif}.vg-step b{display:block}.vg-step span{color:var(--vg-muted);font-size:13px}\n.vg-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:54px}.vg-palette{display:grid;grid-template-columns:repeat(5,1fr);height:82px;margin-top:26px}.vg-aside{padding:34px;background:var(--vg-white);border:1px solid var(--vg-line)}.vg-aside h3{margin:0 0 14px;font-size:29px}.vg-aside p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · august 1885 · Nuenen, Nederland\u003c\/p\u003e\n        \u003ch2\u003eKvinne løfter poteter, F147\u003cem\u003eReproduksjon av oljemaleri på lerret\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eBuet over et jorde skyver en bondekvinne en lang gaffel ned i bakken for å heve potetene. Dens mørke kropp, kurven plassert til venstre og den lave horisonten gir full spillerom til arbeidsgesten.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHåndmalt\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlje på lerret\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eEt verifisert WebP-bilde\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eFotovalidering\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/femme-soulevant-pommes-terre-f147-jh891-van-gogh-museum.webp?v=1785298159\u0026amp;format=webp\" alt=\"Kvinne som løfter poteter F147 - bondekvinne som bruker høygaffel på et jorde malt av Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eKvinne løfter poteter, F147\u003c\/strong\u003eVincent van Gogh · August 1885 · Van Gogh-museet, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eaugust 1885\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e41,8×32,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensjoner på originalen\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlje på lerret montert på panel\u003c\/strong\u003e\u003cspan\u003eOriginal teknikk\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh-museet, Amsterdam\u003c\/strong\u003e\u003cspan\u003eBevaring\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eEt ekte maleri\u003c\/b\u003e\u003cspan\u003eLerretet er håndmalt, aldri trykt.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eLaget på bestilling\u003c\/b\u003e\u003cspan\u003eHver kopi opprettes individuelt.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eKontrollert på foto\u003c\/b\u003e\u003cspan\u003eDu gjennomgår den ferdige tabellen før du sender.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMulige endringer\u003c\/b\u003e\u003cspan\u003eJusteringer kan gå foran frakt.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eSe på arbeidet\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eKroppen og gaffelen utgjør en enkelt diagonal over furen\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eHåndtaket starter med hendene tett sammen og går ned mot nedre høyre hjørne Bondejenta lener seg i samme retning, mens skjørtet og beina danner en stabil masse mot anstrengelsen.\u003c\/p\u003e\n\u003cp\u003eDen fylte kurven til venstre balanserer det store pløyde rommet Bak henne forblir vegetasjonsstripene og den overskyede himmelen veldig enkle: ingenting distraherer øyet fra gesten og den snudde jorden.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eWoman Raising Potatoes F147\/JH891 er en olje på lerret montert på panel som måler 41,8 × 32,5 cm, malt i Nuenen i august 1885. Van Gogh-museet bevarer den under inventar s0452S1995.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eKomposisjon, berøring og farge\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre observasjoner spesifikke for dette maleriet\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eEtter studiene som bonde rundt Poteteterne fortsatte Van Gogh en syklus viet landbruksarbeid i friluft Han forvandler et kjent motiv av landlig maleri til et kompakt bilde, konstruert av bevegelse.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eFiguren er brettet rundt verktøyet\u003c\/h3\u003e\n\u003cp\u003eHode, rygg, armer og erme danner en kontinuerlig sekvens Holdningen virker tung fordi hvert segment av kroppen følger med trykket som utøves på gaffelen.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eJorden er malt som et aktivt materiale\u003c\/h3\u003e\n\u003cp\u003eBrune, oker, grønne og lette berøringer overlapper hverandre i korte strøk Jorden er ikke en ensartet bunn: den bærer furer, knoller og spor av arbeid.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eSky åpner scene uten å myke den opp\u003c\/h3\u003e\n\u003cp\u003eBåndet av blågrå skyer bringer luft, men forblir lavt og tett Det løsner bondens hette og skuldre uten å skape en pittoresk effekt.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDokumenterte benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eNøyaktig identifisere det opprinnelige verket\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF147\/JH891, s0452S1995 og 41,8 × 32,5 cm formatet identifiserer denne innhøstingsscenen fra Van Gogh-museet.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSerie\u003c\/span\u003e\u003ch3\u003eVan Gogh forbereder en høst-\"kampanje\"\u003c\/h3\u003e\n\u003cp\u003eI slutten av juni 1885 kunngjorde han til Theo at han hadde til hensikt å male innhøstingen og potetarbeidet så snart åkrene var klare.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMønster\u003c\/span\u003e\u003ch3\u003eGaffelen brukes til å løfte knollene\u003c\/h3\u003e\n\u003cp\u003eBonden graver ikke bare bakken: hun oppdretter plantene med et langtannet verktøy, og samler deretter potetene i neste kurv.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePåvirkninger\u003c\/span\u003e\u003ch3\u003eEmnet tilhører en nederlandsk bygdetradisjon\u003c\/h3\u003e\n\u003cp\u003eVan Gogh kjenner feltarbeiderscenene til Anton Mauve og David Adolph Constant Artz, men her fremhever han den fysiske spenningen i posituren.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Aardappelrooister_-_s0452S1995_-_Van_Gogh_Museum.jpg\" target=\"_blank\" rel=\"noopener\"\u003eSe reproduksjonen av Van Gogh-museet →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eReproduksjonen din\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eHva maleren må bevare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eKopien skal bevare den buede kroppen, det lange skråhåndtaket, gaffelen plantet i furen, kurven til venstre, de lyse potetene og den gråblå himmelen.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLinjen fortsetter fra baksiden til håndtaket\u003c\/li\u003e\n\u003cli\u003eHendene lukkes rundt verktøyet\u003c\/li\u003e\n\u003cli\u003eDen nedre kurven plassert til venstre\u003c\/li\u003e\n\u003cli\u003eDe små lette flisene av potetene\u003c\/li\u003e\n\u003cli\u003eDe grønne og brune båndene på feltet i horisonten\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eArbeidsark\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTittel\u003c\/th\u003e\n\u003ctd\u003eKvinne løfter poteter, F147\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDato\u003c\/th\u003e\n\u003ctd\u003eaugust 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eSted for opprettelse\u003c\/th\u003e\n\u003ctd\u003eNuenen, Nederland\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal teknikk\u003c\/th\u003e\n\u003ctd\u003eOlje på lerret montert på panel\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensjoner\u003c\/th\u003e\n\u003ctd\u003e41,8×32,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventar\u003c\/th\u003e\n\u003ctd\u003eF147· JH891· s0452S1995\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eBevaring\u003c\/th\u003e\n\u003ctd\u003eVan Gogh-museet, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eReproduksjonen din\u003c\/th\u003e\n\u003ctd\u003eHåndlaget oljemaleri på lerret\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFra bestilling til frakt\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eForberedelse\u003c\/b\u003e\u003cspan\u003eStudie av innramming, proporsjoner og farger.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOljemaleri\u003c\/b\u003e\u003cspan\u003eManuell produksjon, lag etter lag.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eFotovalidering\u003c\/b\u003e\u003cspan\u003eSjekker bordet og ber om mulige endringer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eBeskyttet frakt\u003c\/b\u003e\u003cspan\u003eForsiktig pakking og frakt med sporing.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eI ditt interiør\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eEn arbeidsscene med brune, grønne og blågrå\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eJordbrun, mosegrønn, svart, beige og blågrå gir en nøktern og autentisk tilstedeværelse for et kontor, et bibliotek eller et interiør med naturlige materialer.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Femme soulevant des pommes de terre, F147\"\u003e\n\u003ci style=\"background:#4c3d2b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#66704f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#25261f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b8a47d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#81909a\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eUtviklingsrådgivning\u003c\/h3\u003e\n\u003cp\u003eEn røkt eik, mørkebrun eller matt svart ramme forlenger gulvets toner Varmt sidelys avslører furene og relieffene på skjørtet.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eOfte stilte spørsmål\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eFør bestilling\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eEr dette et lerretstrykk?\u003c\/summary\u003e\u003cp\u003eNr Hver reproduksjon males manuelt i olje på lerret Penselstrøk og materialvariasjoner hører til sluttresultatet.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHvordan velges den visuelle referansen?\u003c\/summary\u003e\u003cp\u003eReproduksjonen av Van Gogh-museet ble omgjort til en ekte WebP på 2 288 × 3 000 px fra en fil på 4 911 × 6 439 px, uten kunstig forstørrelse.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eKan jeg sjekke resultatet før frakt?\u003c\/summary\u003e\u003cp\u003eJa. Fotografier av det ferdige maleriet sendes til deg; du kan be om endringer før du validerer forsendelsen.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eEr tilpassede formater mulig?\u003c\/summary\u003e\u003cp\u003eJa. Formatet kan tilpasses veggen din samtidig som proporsjonene og balansen i den originale komposisjonen opprettholdes.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eKvinne løfte poteter, F147, malt for ditt interiør\u003c\/h3\u003e\n\u003cp\u003eEn oljemaleri reproduksjon på lerret laget individuelt, verifisert i bilder og justerbar før frakt.\u003c\/p\u003e\n\u003cb\u003eHåndmalt · Olje på lerret · Fotovalidering\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Oppdagelsesformat (50 x 60 cm)","offer_id":46594850848994,"sku":"FEMME_SOULEVANT_DES_POMMES_DE_TERRE_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/femme-soulevant-pommes-terre-f147-jh891-van-gogh-museum.webp?v=1785298159","url":"https:\/\/no.alphareproduction.com\/products\/kvinne-lofting-epler-jorden-vincent-van","provider":"Alpha Reproduction","version":"1.0","type":"link"}