{"product_id":"nympheas-claude-monet-2-6","title":"Vannliljer, Marmottan 5164 - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 12px;color:var(--green);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.ar-monet .ar-title{max-width:900px;margin:0;font:400 clamp(38px,6vw,70px)\/1.02 Georgia,'Times New Roman',serif!important;letter-spacing:-.045em;color:var(--ink)}.ar-monet .ar-intro{max-width:800px;margin:20px 0 0;color:var(--muted);font-size:17px}.ar-monet h3{font-family:Georgia,'Times New Roman',serif;font-weight:400}\n.ar-monet .ar-hero{position:relative;padding:68px 0 46px;background:linear-gradient(125deg,#f7f5eb,#dce8df);overflow:hidden}.ar-monet .ar-hero:before{content:\"MONET\";position:absolute;right:-15px;top:-10px;color:rgba(65,106,86,.06);font:clamp(90px,17vw,220px)\/1 Georgia,serif;letter-spacing:.06em}.ar-monet .ar-hero-grid{position:relative;display:grid;grid-template-columns:.9fr 1.1fr;gap:54px;align-items:center}.ar-monet .ar-hero h2{margin:0;font:400 clamp(43px,4.5vw,62px)\/.95 Georgia,'Times New Roman',serif!important;letter-spacing:-.055em}.ar-monet .ar-hero h2 span{display:block;margin-top:14px;color:var(--green);font-size:.48em;line-height:1.12;letter-spacing:-.02em}.ar-monet .ar-lead{max-width:610px;margin:26px 0;color:#526059;font-size:18px}.ar-monet .ar-pills{display:flex;flex-wrap:wrap;gap:9px}.ar-monet .ar-pill{padding:8px 13px;border:1px solid rgba(65,106,86,.25);border-radius:999px;background:rgba(255,255,255,.45);color:#315744;font-size:12px;font-weight:700}.ar-monet .ar-art{position:relative;margin:0;padding:16px 0 25px 16px}.ar-monet .ar-art:before{content:\"\";position:absolute;inset:35px 25px 0 0;border:1px solid rgba(65,106,86,.3);transform:translate(20px,18px)}.ar-monet .ar-art img{position:relative;z-index:1;width:100%;min-height:390px;max-height:610px;object-fit:cover;box-shadow:0 25px 65px rgba(34,51,42,.2)}.ar-monet .ar-caption{position:absolute;z-index:2;right:-5px;bottom:0;max-width:310px;padding:14px 17px;background:#17241d;color:#eef4ec;font-size:12px}.ar-monet .ar-caption strong{display:block;font:400 16px Georgia,serif}.ar-monet .ar-stats{display:grid;grid-template-columns:repeat(4,1fr);margin-top:46px;border:1px solid var(--line);background:#fbfaf3}.ar-monet .ar-stat{padding:19px 22px}.ar-monet .ar-stat+.ar-stat{border-left:1px solid var(--line)}.ar-monet .ar-stat strong{display:block;font:400 20px Georgia,serif}.ar-monet .ar-stat span{color:var(--muted);font-size:11px;letter-spacing:.1em;text-transform:uppercase}\n.ar-monet .ar-benefits{display:grid;grid-template-columns:repeat(4,1fr);background:#17241d;color:white}.ar-monet .ar-benefit{padding:25px 22px;border-right:1px solid rgba(255,255,255,.13)}.ar-monet .ar-benefit:last-child{border-right:0}.ar-monet .ar-benefit b{display:block;font:400 18px Georgia,serif}.ar-monet .ar-benefit span{color:#bac8be;font-size:13px}.ar-monet .ar-overview{display:grid;grid-template-columns:.78fr 1.22fr;gap:76px}.ar-monet .ar-prose{margin:0;color:#455149;font:20px\/1.68 Georgia,serif}.ar-monet .ar-prose+.ar-prose{margin-top:22px}.ar-monet .ar-prose:first-child:first-letter{float:left;margin:8px 12px 0 0;color:var(--green);font-size:76px;line-height:.7}.ar-monet .ar-quote{margin:30px 0 0;padding:24px 27px;border-left:3px solid var(--green);background:rgba(255,255,255,.58);font:21px\/1.45 Georgia,serif}\n.ar-monet .ar-dark{background:#19251f;color:#edf2ed}.ar-monet .ar-dark .ar-title{color:#f4f1e8!important}.ar-monet .ar-dark .ar-eyebrow{color:#8db8a1}.ar-monet .ar-dark .ar-intro{color:#b9c5bd}.ar-monet .ar-analysis{display:grid;grid-template-columns:.92fr 1.08fr;gap:58px;align-items:center;margin-top:44px}.ar-monet .ar-analysis-image{overflow:hidden;min-height:500px;border-radius:48% 48% 0 0\/18% 18% 0 0}.ar-monet .ar-analysis-image img{width:100%;height:500px;object-fit:cover}.ar-monet .ar-analysis-list{border-top:1px solid rgba(255,255,255,.14)}.ar-monet .ar-analysis-item{display:grid;grid-template-columns:54px 1fr;gap:15px;padding:22px 0;border-bottom:1px solid rgba(255,255,255,.14)}.ar-monet .ar-num{color:#8db8a1;font:28px Georgia,serif}.ar-monet .ar-analysis-item h3{margin:0 0 7px;color:white;font-size:23px}.ar-monet .ar-analysis-item p{margin:0;color:#b9c5bd;font-size:14px}\n.ar-monet .ar-hd{background:#dce5dc}.ar-monet .ar-hd-grid{display:grid;grid-template-columns:1fr 1fr;gap:20px;margin-top:40px}.ar-monet .ar-hd-card{margin:0;background:#fbfaf3;border:1px solid var(--line)}.ar-monet .ar-hd-card img{width:100%;height:570px;object-fit:cover}.ar-monet .ar-hd-card figcaption{padding:22px 24px;color:var(--muted);font-size:13px}.ar-monet .ar-hd-card strong{display:block;margin-bottom:6px;color:var(--ink);font:400 22px Georgia,serif}.ar-monet .ar-image-note{margin:18px 0 0;color:#5d685f;font-size:12px}\n.ar-monet .ar-cards{display:grid;grid-template-columns:repeat(3,1fr);gap:16px;margin-top:40px}.ar-monet .ar-card{position:relative;min-height:325px;padding:28px;background:#e3e6da}.ar-monet .ar-card:first-child{background:var(--green);color:white}.ar-monet .ar-card-label{font-size:10px;font-weight:800;letter-spacing:.1em;text-transform:uppercase}.ar-monet .ar-card-index{position:absolute;right:18px;top:8px;color:rgba(23,32,27,.07);font:72px Georgia,serif}.ar-monet .ar-card:first-child .ar-card-index{color:rgba(255,255,255,.09)}.ar-monet .ar-card h3{margin:54px 0 12px;font-size:28px;line-height:1.05}.ar-monet .ar-card p{margin:0;color:var(--muted);font-size:14px}.ar-monet .ar-card:first-child p{color:#d9e5dd}\n.ar-monet .ar-product{background:#d8d2bd}.ar-monet .ar-product-grid{display:grid;grid-template-columns:.8fr 1.2fr;gap:70px}.ar-monet .ar-focus{margin:28px 0 0;padding:0;list-style:none;border-top:1px solid var(--line)}.ar-monet .ar-focus li{padding:14px 0;border-bottom:1px solid var(--line);font-size:14px}.ar-monet .ar-focus li:before{content:\"✓\";margin-right:10px;color:var(--green);font-weight:800}.ar-monet .ar-panel{padding:36px;background:rgba(255,253,247,.68)}.ar-monet .ar-panel h3{margin:0 0 20px;font-size:30px}.ar-monet .ar-table{width:100%;border-collapse:collapse}.ar-monet .ar-table th,.ar-monet .ar-table td{padding:12px 0;border-top:1px solid var(--line);font-size:14px;text-align:left;vertical-align:top}.ar-monet .ar-table th{width:40%;padding-right:15px;color:#59625b}.ar-monet .ar-source{display:inline-block;margin-top:21px;color:#315744;font-size:12px;font-weight:800;letter-spacing:.05em;text-transform:uppercase}.ar-monet .ar-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:55px}.ar-monet .ar-palette{display:grid;grid-template-columns:repeat(5,1fr);height:80px;margin-top:27px}.ar-monet .ar-deco-box{padding:34px;background:var(--cream);border:1px solid var(--line)}.ar-monet .ar-deco-box h3{margin:0 0 17px;font-size:29px}.ar-monet .ar-deco-box p{margin:0;color:var(--muted)}.ar-monet .ar-final{padding:58px 24px;text-align:center;background:var(--green);color:white}.ar-monet .ar-final h3{max-width:850px;margin:0 auto 14px;font-size:clamp(32px,5vw,52px);line-height:1}.ar-monet .ar-final p{max-width:720px;margin:0 auto;color:#dbe8df}.ar-monet .ar-final strong{display:inline-block;margin-top:23px;padding:11px 19px;border-radius:999px;background:white;color:#315744;font-size:13px}.ar-monet .ar-title,.ar-monet .ar-hero h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-29\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · 1916 -1919 · Marmottan 5164 · W1852\u003c\/p\u003e\n\u003ch2\u003eVannliljer, Marmottan 5164\u003cspan\u003ehåndmalt reproduksjon\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003ePilgrene faller fra begge kanter og etterlater en åpning av lilla og kremlys i midten Vannliljene er konsentrert i den nedre delen, hvor de blågrønne bladene bærer flere rosa blomster.Nesten to meter bred gir lerretet opp bredden som det gjør himmelen: grener, reflekterte skyer og overflaten av bassenget opptar en enkelt sammenhengende plass.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlje på lerret\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eHåndmalt\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto før forsendelse\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eMulige endringer\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-marmottan-5164-w1852-main.webp?v=1784395728\u0026amp;width=2400\" alt=\"Vannliljer, Marmottan 5164 - Claude Monet - full utsikt\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eVannliljer, Marmottan 5164\u003c\/strong\u003eClaude Monet · 1916 -1919\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1916 - 1919\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e150×197 cm\u003c\/strong\u003e\u003cspan\u003eDimensjoner på originalen\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlje på lerret\u003c\/strong\u003e\u003cspan\u003eOriginal teknikk\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003einv. 5164 · Wildenstein 1852\u003c\/strong\u003e\u003cspan\u003eInventar\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eEt ekte maleri\u003c\/b\u003e\u003cspan\u003eLerretet er malt, aldri trykt.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eSkapt for deg\u003c\/b\u003e\u003cspan\u003eHvert eksemplar lages på bestilling.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eKontrollert på foto\u003c\/b\u003e\u003cspan\u003eDu ser det ferdige maleriet før det går.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-ups inkludert\u003c\/b\u003e\u003cspan\u003eJusteringer gjøres før frakt.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eSe på arbeidet\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eDe to pilgardinene forvandler bassenget til et landskap uten horisonter\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eVenstre side begynner med avstandsplasserte vertikaler, bensinblå og mørkegrønn, som går ned over stille klart vann Til høyre strammer gardinen seg og blir nærmest en vegg Mellom de to fremkaller horisontale syrin, hvite og blekrosa merkene de reflekterte skyene Retningene overlapper hverandre uten at det alltid er mulig å skille den virkelige grenen fra dens bilde i vannet.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eFlytende blader er sjeldne på toppen, og får deretter størrelse og tetthet mot underkanten. Rosa blomster er gruppert i stedet for spredt: flere reagerer på hverandre til høyre, mens noen få isolerte aksenter balanserer venstre. Dype blåfarger vises under bladene og fremmer lysområdene i midten.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eBlikket kan ikke lenger velge mellom å se på bassenget og se på himmelen: Monet samler dem i et enkelt materiale krysset av piletrær.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eKomposisjon, berøring og lys\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eHva Monet bygger bak inntrykket av øyeblikksbilde\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre presise elementer lar oss forstå denne komposisjonen og de vesentlige vanskelighetene med trofast reproduksjon.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis\"\u003e\n\u003cdiv class=\"ar-analysis-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-marmottan-5164-w1852-main.webp?v=1784395728\u0026amp;width=2400\" alt=\"Analyse av vannliljer, Marmottan 5164 - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ar-analysis-list\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eTo kanter som ikke har samme vekt\u003c\/h3\u003e\n\u003cp\u003eNedfallet til venstre forblir luftig, de til høyre er lange og stramme Denne asymmetrien opprettholder den sentrale åpningen og hindrer pilene i å bli en dekorativ ramme.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eEt lys bygget midt på lerretet\u003c\/h3\u003e\n\u003cp\u003eKrem, lilla, gråblå og blekrosa overlapper hverandre i midten Disse ugjennomsiktige fargene må beholde materialet for å fremkalle en lysende refleksjon uten å ligne et tomrom.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eEn forgrunn punktert av rosa blomster\u003c\/h3\u003e\n\u003cp\u003eDe største vannliljene er plassert i den nedre tredjedelen Deres avstand, overlappinger og omkringliggende blåfarger erstatter det tradisjonelle perspektivet.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eDetaljer og visuelle dokumenter\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eObserver materialet og den nøyaktige versjonen\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTilleggsbildene viser de vanskeligleste passasjene i full visning og, der det finnes, selve utseendet til verket på museet.\u003c\/p\u003e\n\u003cdiv class=\"ar-hd-grid\"\u003e\n\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-marmottan-5164-w1852-gallery.webp?v=1784395728\u0026amp;width=1800\" alt=\"The Water Lilies-rommet på Marmottan Monet Museum - detalj av Water Lilies, Marmottan 5164 - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eThe Water Lilies rom på Marmottan Monet Museum\u003c\/strong\u003eSelve fotografiet viser de store sene lerretene i deres utstillingsrom og gir en umiddelbar skala takket være besøkende. Det lar deg også sammenligne deres kalde dominanter og deres formater.\u003c\/figcaption\u003e\u003c\/figure\u003e\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-marmottan-5164-w1852-left-detail.webp?v=1784395728\u0026amp;width=1800\" alt=\"Venstre gardin og blomstene i forgrunnen - detalj av Vannliljer, Marmottan 5164 - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eVenstre gardin og blomstene i forgrunnen\u003c\/strong\u003eDenne innfødte detaljen samler de lange blågrønne markeringene, den sentrale lysrefleksjonen og flere rosa vannliljer. Nøklene endrer kontinuerlig retning og tykkelse.\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cp class=\"ar-image-note\"\u003eHovedvisningen måler 1500 × 1122 px. Selve fotografiet av Water Lilies Room måler 2816 × 2112 px og den opprinnelige detaljen 760 × 820 px. Ingen filer har blitt kunstig forstørret; alle tre mediene er ekte dekodbare WebP-er.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eDokumenterte benchmarks\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre opplysninger som er spesifikke for dette arbeidet\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eDisse fakta gjelder denne nøyaktige versjonen og er verifisert fra kunngjøringen fra institusjonen som oppbevarer den.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eIdentifikasjon\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eMarmottan 5164, Wildenstein 1852\u003c\/h3\u003e\n\u003cp\u003eMarmottan Monet Museum daterer verket fra 1916 -1919 og angir et format på 150 × 197 cm Lerretet bærer preg av verkstedet nederst til høyre og tilsvarer nummer 1852 i Wildenstein-katalogen raisonné.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eServantens vier\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eFire trær arrangert rundt dammen\u003c\/h3\u003e\n\u003cp\u003eMuseumsmeldingen minner om at Monet hadde plantet fire såkalte babylonske gråtepiler rundt bassenget, I sine sene komposisjoner fjernet han gradvis stammen, banken og det stabile utsiktspunktet for å bevare kun filialene og deres refleksjoner.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eInngang til museet\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eArven etter Michel Monet i 1966\u003c\/h3\u003e\n\u003cp\u003eDette store maleriet ble igjen i Giverny-verkstedet etter Claude Monets død, og kom inn i Marmottan Monet-museet takket være arven etter sønnen Michel i 1966.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eReproduksjonen din\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eHva maleren må bevare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTroskap her avhenger av presise forhold mellom lys, berøring, dybde og fargetemperatur.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eDen nøyaktige versjonen av Marmottan Monet Museum, inv. 5164 og W1852\u003c\/li\u003e\n\u003cli\u003eDet originale panoramaformatet på 150 × 197 cm\u003c\/li\u003e\n\u003cli\u003eAsymmetrien mellom lyspilen til venstre og den tette gardinen til høyre\u003c\/li\u003e\n\u003cli\u003eSyrin grå, blå og kremer bevart i den sentrale åpningen\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eArbeidsark\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTittel\u003c\/th\u003e\n\u003ctd\u003eVannliljer, Marmottan 5164\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840 -1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDato\u003c\/th\u003e\n\u003ctd\u003e1916 - 1919\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOriginal teknikk\u003c\/th\u003e\n\u003ctd\u003eOlje på lerret\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensjoner\u003c\/th\u003e\n\u003ctd\u003e150×197 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientering\u003c\/th\u003e\n\u003ctd\u003ePanoramisk horisontal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eBevaring\u003c\/th\u003e\n\u003ctd\u003eMarmottan Monet Museum, Paris, Frankrike\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventar\u003c\/th\u003e\n\u003ctd\u003einv. 5164 · Wildenstein 1852\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eReproduksjonen din\u003c\/th\u003e\n\u003ctd\u003eHåndlaget oljemaleri på lerret\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/www.marmottan.fr\/notice\/5164\/\" target=\"_blank\" rel=\"noopener\"\u003eSe den offisielle kunngjøringen - Marmottan Monet Museum\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentasjon i ditt interiør\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eEn palett designet med rommet\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eSyrin, tåkeblå, bensingrønn, myk rosa og perlekrem utgjør en lys, men dyp atmosfære Denne panoramareproduksjonen passer til en bred vegg, akkompagnert av lys eik, naturlige tekstiler og myk sidebelysning.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Nymphéas, Marmottan 5164 – Claude Monet\"\u003e\n\u003ci style=\"background:#8e92b6\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7085a2\"\u003e\u003c\/i\u003e\u003ci style=\"background:#315249\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c48ca6\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d5cfbd\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eUtviklingsrådgivning\u003c\/h3\u003e\n\u003cp\u003eVelg mykt, litt sidelys Den avslører variasjoner i materiale uten å skape en frontal refleksjon og beholder vibrasjonen av farger på forskjellige avstander.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eVannliljer, Marmottan 5164, malt for ditt interiør\u003c\/h3\u003e\n\u003cp\u003eEn oljereproduksjon laget individuelt, fotostyrt og justerbar før frakt.\u003c\/p\u003e\n\u003cstrong\u003eHåndmalt · WebP-referanse · Fotovalidering\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Oppdagelsesformat (50 x 60 cm)","offer_id":46591949635810,"sku":"NYMPH_AS_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-marmottan-5164-w1852-main.webp?v=1784395728","url":"https:\/\/no.alphareproduction.com\/products\/nymphas-claude-monet-2-9","provider":"Alpha Reproduction","version":"1.0","type":"link"}