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h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-19\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · 1919 · Tel Aviv Museum of Art · W1893-1\u003c\/p\u003e\n\u003ch2\u003eVann Liljedam, Tel Aviv W1893-1\u003cspan\u003ehåndmalt reproduksjon\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eI dette vertikale bassenget går de rosa vannliljene diagonalt ned fra blågrått vann til en grønn og lilla dybde.Fraværet av en bank forvandler maleriet til en bevegelig overflate, mens selve fotografiet avslører de tykke relieffene som er igjen av børsten.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlje på lerret\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eHåndmalt\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto før forsendelse\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eMulige endringer\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/etang-nympheas-tel-aviv-w1893-1.webp?v=1784377010\u0026amp;width=2400\" alt=\"Water Lilies Pond, Tel Aviv W1893-1 - Claude Monet - full utsikt\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eVann Liljedam, Tel Aviv W1893-1\u003c\/strong\u003eClaude Monet · 1919\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1919\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e100×92 cm\u003c\/strong\u003e\u003cspan\u003eDimensjoner på originalen\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlje på lerret\u003c\/strong\u003e\u003cspan\u003eOriginal teknikk\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eLån Moshe og Sara Mayer · Wildenstein 1893-1\u003c\/strong\u003e\u003cspan\u003eInventar\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eEt ekte maleri\u003c\/b\u003e\u003cspan\u003eLerretet er malt, aldri trykt.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eSkapt for deg\u003c\/b\u003e\u003cspan\u003eHvert eksemplar lages på bestilling.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eKontrollert på foto\u003c\/b\u003e\u003cspan\u003eDu ser det ferdige maleriet før det går.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-ups inkludert\u003c\/b\u003e\u003cspan\u003eJusteringer gjøres før frakt.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eSe på arbeidet\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eEn diagonal av blomster forbinder lyset ovenfra til dypet av bassenget\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eDen øvre delen forblir lys, krysset av blå, grå og blekgule Små rosa blomster flyter i avstand fra hverandre Nedover blir bladene større og greenene tettere, noe som beveger forgrunnen fremover uten hjelp av en horisontlinje.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eTil høyre fremkaller et lilla og lyseblått område speilbildet av himmelen; til venstre antyder olivengrønne og nesten svarte masser trærne i kanten Vertikale penselstrøk og synlig impasto holder sammen refleksjonen og materialoverflaten til vannet.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eBassenget fra 1919 er verken et landskap sett langveisfra eller et stilleben: det plasserer blikket over vannet, mellom ekte dybde, refleksjoner av himmelen og tykkelsen på maleriet.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eKomposisjon, berøring og lys\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eHva Monet bygger bak inntrykket av øyeblikksbilde\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre presise elementer lar oss forstå denne komposisjonen og de vesentlige vanskelighetene med trofast reproduksjon.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis\"\u003e\n\u003cdiv class=\"ar-analysis-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/etang-nympheas-tel-aviv-w1893-1.webp?v=1784377010\u0026amp;width=2400\" alt=\"Analyse av L'Étang aux nymfeer, Tel-Aviv W1893-1 - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ar-analysis-list\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eEn sjelden vertikal sammensetning for bassenget\u003c\/h3\u003e\n\u003cp\u003e100 × 92 cm formatet senker blikket langs blomstene Dybde avhenger av deres størrelse og avstand snarere enn et tradisjonelt perspektiv.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eVarme roser på avkjølte greener\u003c\/h3\u003e\n\u003cp\u003eDe røde og lakserosa vannliljene er de lyseste aksentene De må forbli punktlige slik at de blålilla og olivengrønne passasjene beholder sin dominerende rolle.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eEt materiale som virkelig er synlig på lerretet\u003c\/h3\u003e\n\u003cp\u003eFotografiet tatt på museet viser relieffer, repetisjoner og overlagrede gester Oljereproduksjon bør variere tykkelsen i stedet for å flate ut disse passasjene til enkle flate fargede områder.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eDetaljer og visuelle dokumenter\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eObserver materialet og den nøyaktige versjonen\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTilleggsbildene viser de vanskeligleste passasjene i full visning og, der det finnes, selve utseendet til verket på museet.\u003c\/p\u003e\n\u003cdiv class=\"ar-hd-grid\"\u003e\n\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/etang-nympheas-fleurs-matiere-detail.webp?v=1784377010\u0026amp;width=1800\" alt=\"Rosa blomster og passasjer av materiale - detalj av L'Étang aux nymphéas, Tel-Aviv W1893-1 - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eRosa blomster og passasjer av materiale\u003c\/strong\u003eDen øvre avlingen samler små røde kroner, blekgule og gråblå. Børstemerker vises som lag som krysser hverandre i stedet for lukkede konturer.\u003c\/figcaption\u003e\u003c\/figure\u003e\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/etang-nympheas-photographie-musee.webp?v=1784377010\u0026amp;width=1800\" alt=\"Water Lily Pond av Claude Monet fotografert med rammen på Tel Aviv Museum of Art\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eLerretet med sin ramme på museet\u003c\/strong\u003eSelve fotografiet viser verket i en utskåret gullramme, De sporadiske refleksjonene på vinduet og andelen av rammen lar oss forstå utseendet i rommet.\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cp class=\"ar-image-note\"\u003eFullvisningen måler 4 141 × 4 400 px og detaljen 4 300 × 3 400 px, fra et faktisk fotografi av 8 794 × 9 344 px. Rammevisningen måler 930 × 962 px.Ingen fil har blitt forstørret; alle tre bildene er ekte WebPs.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eDokumenterte benchmarks\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre opplysninger som er spesifikke for dette arbeidet\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eDisse fakta gjelder denne nøyaktige versjonen og er verifisert fra kunngjøringen fra institusjonen som oppbevarer den.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eIdentifikasjon\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eVannliljedammen, Wildenstein 1893-1\u003c\/h3\u003e\n\u003cp\u003eTel Aviv Museum of Art presenterer denne oljen på lerret under tittelen Water Lily Pond Den er datert 1919, måler 100 × 92 cm og tilsvarer nummer 1893-1 av katalogen raisonné.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eSamling\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eLangtidslån Moshe og Sara Mayer\u003c\/h3\u003e\n\u003cp\u003eVerket oppbevares på Tel Aviv Museum of Art som en del av et langsiktig lån fra Moshe og Sara Mayer-samlingen. Denne omtalen lar oss skille denne versjonen fra de mange bassengene malt av Monet.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eVisuelt dokument\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eOriginalen fotografert på museet\u003c\/h3\u003e\n\u003cp\u003eHøydefinisjonsnærbildet viser teksturen til lerretet og impastoen; fotografiet med rammen dokumenterer selve presentasjonen av verket og dets vertikale format.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eReproduksjonen din\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eHva maleren må bevare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTroskap her avhenger av presise forhold mellom lys, berøring, dybde og fargetemperatur.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eDen nøyaktige versjonen fra 1919, Wildenstein 1893-1\u003c\/li\u003e\n\u003cli\u003eDet opprinnelige vertikale formatet på 100 × 92 cm\u003c\/li\u003e\n\u003cli\u003eDen synkende diagonalen av rosa vannliljer\u003c\/li\u003e\n\u003cli\u003eImpastoen som er synlig på selve fotografiet av museet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eArbeidsark\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTittel\u003c\/th\u003e\n\u003ctd\u003eVann Liljedam, Tel Aviv W1893-1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840 -1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDato\u003c\/th\u003e\n\u003ctd\u003e1919\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOriginal teknikk\u003c\/th\u003e\n\u003ctd\u003eOlje på lerret\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensjoner\u003c\/th\u003e\n\u003ctd\u003e100×92 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientering\u003c\/th\u003e\n\u003ctd\u003eVertikal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eBevaring\u003c\/th\u003e\n\u003ctd\u003eTel Aviv Museum of Art, Tel Aviv, Israel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventar\u003c\/th\u003e\n\u003ctd\u003eLån Moshe og Sara Mayer · Wildenstein 1893-1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eReproduksjonen din\u003c\/th\u003e\n\u003ctd\u003eHåndlaget oljemaleri på lerret\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/www.tamuseum.org.il\/en\/exhibition\/catch-fleeting-moment-150-years-impressionism\/\" target=\"_blank\" rel=\"noopener\"\u003eSe den offisielle kunngjøringen - Tel Aviv Museum of Art\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentasjon i ditt interiør\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eEn palett designet med rommet\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eOlivengrønn, tåkeblå, lilla og vannliljerosa gir denne reproduksjonen en dyp, men beroligende tilstedeværelse. Det vertikale formatet er egnet for en smal vegg, mellom to åpninger eller over en baseenhet.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de L’Étang aux nymphéas, Tel-Aviv W1893-1 – Claude Monet\"\u003e\n\u003ci style=\"background:#697447\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8293a0\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8a7895\"\u003e\u003c\/i\u003e\u003ci style=\"background:#bd6e70\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c5b56c\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eUtviklingsrådgivning\u003c\/h3\u003e\n\u003cp\u003eVelg mykt, litt sidelys Den avslører variasjoner i materiale uten å skape en frontal refleksjon og beholder vibrasjonen av farger på forskjellige avstander.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eWater Lilies Pond, Tel Aviv W1893-1, malt for ditt interiør\u003c\/h3\u003e\n\u003cp\u003eEn oljereproduksjon laget individuelt, fotostyrt og justerbar før frakt.\u003c\/p\u003e\n\u003cstrong\u003eHåndmalt · WebP-referanse · Fotovalidering\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Format Oppdagelse (60 x 60 cm)","offer_id":46591960744162,"sku":"L_TANG_AUX_NYMPH_AS_60x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/etang-nympheas-tel-aviv-w1893-1.webp?v=1784377010","url":"https:\/\/no.alphareproduction.com\/products\/pond-nymphas-claude-monet-1","provider":"Alpha Reproduction","version":"1.0","type":"link"}